Your buyers will never walk your floor. Your film takes them there.
Brand, product and training films shot on the floor while the line runs, for manufacturers that sell on capability. Delivered in every language you sell in. One film, or a camera on your floor every quarter.
The Line Survey is a written review of your video presence next to your three closest competitors, with what to shoot first. Two to three pages, in a week, four a month.
Play with soundShowreel, 90 secondsYour product is impressive in person. Almost nobody sees it in person.
Four jobs a film does in a manufacturing business. Every film we make is built for one of them, and the Line Survey tells you which one to start with.
Win the RFQ
The buyer has three quotes on the desk and has never seen any of the plants. A two minute film of your line running is the one thing the other two did not send.
Support the distributor
Your distributor pitches from a PDF. Give them the machine in operation, explained in under two minutes, and they send one link instead of booking one flight.
Fill the floor
Candidates apply to places they can picture themselves standing in. Real people, real floor, real work beats a stock photo job post every time.
Hold the trade show
A booth without moving images is furniture. The screen is what stops people walking past the space you paid for.
Films built for a business outcome, not a showreel.
Each one shot on your floor with the line running, cut for the place it will be used: the sales deck, the trade show screen, the training system, LinkedIn.
Play with soundTenaris, SilcotubBrand film
Who you are, what you stand for and the plant behind it in one film. The piece a buyer or partner watches before they decide to work with you.
Play with soundWEBOMATICProduct and process
Your machine or product filmed in operation, explained so a buyer gets it in under two minutes.
Play with soundRomer LabsTraining and safety
Standardized procedures on video. Every hire learns it right the first time, in their own language if your floor speaks more than one.
Play with soundRecruiting filmRecruiting
The floor and the people on it, filmed so a candidate can picture the job.
Play with soundVertical cutsSocial clips
Short vertical cuts from every shoot for LinkedIn and Instagram. None of it looks like stock footage, because it is your floor.
Play with soundTenaris, safety filmLocalized versions
The same film in English, Spanish, German or Romanian: translated script, native voiceover, on screen text swapped per language.
Why a manufacturer buys a year instead of a video.
A single film ages. The companies winning attention publish steadily, and their sales teams always have something fresh to send. The year is built the way your finance and safety people already work.
Vendor setup happens once
W9, certificate of insurance, NDA, safety orientation, purchase order. Every new supplier costs somebody weeks of attention. A twelve month agreement does it once, in month one.
Budgets are annual
One line in next year's marketing budget is easier to approve than six unbudgeted purchase orders during the year, each one a fresh argument with finance.
Safety orientation happens once
I get badged, learn the floor rules, know which line cannot stop and which supervisor to ask. Every new crew resets that to zero and the plant manager pays for it.
Output is predictable
You know what lands in the inbox each month and when the shoot dates are, a year out. Nobody in marketing has a way to produce that today.
The Line Survey
A written review of your video presence next to your three closest competitors, with what to shoot first and what it would cost. Two to three pages in a week. Four a month, no call needed.
Ask for the surveyThe anchor film
A day and a half on your floor, line running. The film, a 60 and a 30, vertical cuts and a stills library. Travel, hotel and assistant inside the number, no expenses line.
Scope the filmThe Production Line
Twelve months, billed monthly. Two shoot blocks a year on the entry tier, four on the full line. Quarterly delivery, localized versions for the markets you export to, dates held a year out.
Ask about the yearThe credit rule. Commission the film, sign the year within 60 days, and the full project price comes off the agreement. You never pay for the same film twice.
Who owns the films
You do, on final payment. Raw files archived for twelve months. I keep the right to show the work as my own.
Not included, said early
Paid media, website builds, graphic design outside the films, actors and sets, 3D beyond simple motion graphics, and anything on a floor without a completed safety briefing.
Play with soundTenaris, SilcotubTenaris Silcotub, Italy
- The situation
- They wanted their production line shown as the leader it is.
- The shoot
- The line kept running. We filmed everything in two days.
- What it does now
- In global use across the company.
No agency between us. You get me.
I’m Tim Jinar, owner of Levron Films. I take your call, write the shot plan, run the camera and cut the film. No juniors learning on your budget, no account manager relaying notes, no crew of twelve at your gate.
I’ve filmed for steel mills, food safety labs and packaging plants across Europe and the U.S. If we work together, you have my direct line from the first call to the final file.
Before you ask.
Will filming interrupt production?
No. The shot plan is built around your schedule. I have filmed on live mill floors and packaging lines. If a shot needs a stopped machine, we plan it into changeover or maintenance windows you already have.
Who actually shows up?
Me. Tim Jinar, owner of Levron Films. I shoot it and I edit it. Full cinema package in one vehicle, one person to badge in, one name on the safety briefing sheet.
What does it cost?
The anchor film is $8,500, flat and all in. The Production Line starts from $2,500 a month on a twelve month agreement, and the film credits against it if you sign within 60 days. Real numbers on the first call, not after three meetings.
Who owns the films?
You do, on final payment. Raw files are archived for twelve months. I keep the right to show the work as my own.
What is not included?
Paid media and ad buying, website builds, graphic design outside the films, scripted actor work, sets, animation beyond simple motion graphics, and anything on a plant floor without a completed safety briefing.
Our plant is not exactly pretty. Does that matter?
Working plants are the point. Sparks, steam and machines in motion film better than any office. Buyers trust a real floor more than a polished set.
How long does it take?
One planning week, one or two shoot days, then two to three weeks of editing with review rounds. Language versions add days, not weeks, because they reuse the same footage.
Ask for the Line Survey.
- 01Your company, what you make, where you sell, and the three competitors you lose deals to.
- 02You get the written survey within a week: what you have, what they have, what to shoot first, what it costs.
- 03If a film is not the right move for you yet, the survey says that too.